One of the most important places of Hindu pilgrimage,
the Meenakshi-Sundareswarar temple is located at the
heart of the city and is the hub of the religious
and cultural life of the city. Built by Kulasekara
Pandya in the pre-Christian era, the temple was in
ruins before it was rebuilt by Tirumalai Nayak. Spread
over six hectares, the temple is an outstanding example
of Vijayanagar temple architecture. The temple has
four entrances to it and its gopurams (large gateways)
and mandapams (multi-pillared halls) are covered from
top to bottom in a profusion of multi-coloured images
of gods, goddesses, animals and mythical figures.
The southern gopuram, which is about 48.4-metre-high
is the most spectacular of all gopurams, and has over
1,500 sculptures. You can even climb the gopuram to
get a panoramic view of the city. The sculpted pillars
in the Ashta Shakti Mandapam inside the Meenakshi
temple tell the story of the beautiful princess of
Madurai and her marriage to Lord Shiva. Legend has
it that the princess was actually an incarnation of
Parvati who came to earth to honour a promise. Shiva
came to Madurai as Sundareswarar to marry Meenakshi,
and the two ruled over the kingdom for many years.
The spot from where they left for their heavenly abode
is where the temple now stands. It is believed that
the Sangam litterateurs decided the merit of the literary
works presented to them at Portamaraikulam (literally,
the golden lotus tank). The manuscripts that sank
in the tank were dismissed while those that floated
were considered great works of literature. The two
presiding deities are seated at Oonjal Mandapam on
the western end of this tank. The deities are worshipped
every Friday on a swing. Next to this is the Kilikootu
Mandapam (hall of parrots) where some beautiful sculptures
as well as parrots that chant the name of Meenakshi
can be seen. The shrine dedicated to the goddess is
just beyond this hall and entry is restricted only
to Hindus. Within the temple is located an art gallery.
The gallery contains beautiful stone and brass images
and some fine examples of South Indian scripts and
friezes. |